Archive

Tag Archives: tom demerly writer

By Tom Demerly for tomdemerly.com

As a commentator, he was a master. Measured. Well-paced. Gifted with dramatic inflection and a lilting accent that brought credibility to his narration. As a dramatist, he was a rare thespian of the microphone. He paced his voice, volume and inflection to build a crescendo that hammered on the edge of control. And perhaps most importantly, as a person, he humanized and dignified a sport that is rife with indignity and subterfuge.

Paul Sherwen died last week at the age of 62. Far too soon. His untimely passing is gutting to the world of cycling, not just for fans who loved him, but for the complex synergy of broadcasting the Tour de France and all of professional cycling in the English language.

You can read of Sherwen’s impressive professional cycling career in any of the many eulogies published around the world for him over the last 72 hours. But Sherwen rose to greatest prominence as a broadcaster, commentator and even moderator of cycling’s most turbulent era.

Sherwen began broadcasting with Phil Liggett in 1989. That is when he went from great cyclist to mega-star. The combination of Phil Liggett and Paul Sherwen was not just good, it was magical synergy. The sum was greater than the total of its parts. By themselves, Sherwen and Liggett were excellent commentators. Together they became the institution of cycling in the English language.

It would not be an embellishment to suggest the team of Sherwen and Liggett saved cycling.

The damage inflicted by the Armstrong era cast a dark cloud over professional bike racing and the Tour de France. Its creditability as a legitimate sport was shattered in the post-Armstrong era and didn’t recover even after the brash Texan doper and extortionist was forced into exile. The doping scandals and accusations continued. For any informed observer, cycling had a titanic image problem. It was dirty.

Enter Paul Sherwen and Phil Liggett. Commentating next to the thousand-pound doping elephant in the room the duo would chat during slow stages as the group rode together at a pedestrian pace. Cycling coverage had changed from a 45-minute recorded and scripted highlight reel to a rolling commentary of the entire stage. It became an endurance event for live announcers. Try describing anything non-stop for six hours. If your voice holds, you quickly find out you run out of things to say. Not Sherwen.

During the Tour de France, Sherwen and Liggett were served snippets about the areas the riders were passing through from race organizers. They were dry historical facts about castles, bridges, rivers and factories. It was the stuff you slept through in school. But Sherwen would grab this stuff off the feed and, as though you were sitting next to him in a touring sedan on a leisurely drive across rural France, weave a lilting tale from the popcorn-dry feed. When Sherwen talked about the milk production of the cows of Provence region, it sounded quaint and charming and… damn near interesting.

When the action started, Sherwen’s voice moved to his gut. He became more baritone. More Serious. More urgent. His pace picked up just a tick. Tension boiled under his narration. It felt as if the other shoe would drop at any moment, and we all slid to the edge of seats. His colloquialisms were Shakespearean. Who had ever heard what it was like to, “Throw a cat among the pigeons” or, “Reach deep into the suitcase of courage” before Paul Sherwen? Sherwin brought rare dramatic eloquence to a sport of blue collar schoolboys.

Paul Sherwen dignified cycling, amplified the drama, downplayed the scandal.

It is difficult to imagine a post-Sherwen cycling era. At 75 years old, Phil Liggett may decide to pack up his microphone and move on to a well-earned retirement. Something Paul Sherwen never got. Sherwen played the key role to Liggett’s performance, shoring him up when he made the errors in remembering a cyclist’s name that any 75-year old would make. They did so seamlessly, and it only added to the show. But without Sherwen as his muse and protector, Liggett may not want to continue. If that is the case, it is not too much of a stretch to say that when we lost Paul Sherwen, we lost all of cycling. Or at least any semblance of dignity, drama and decency it had left.


 

Tom Demerly has been a cycling commentator and journalist for over 30 years. He has written for Outside, Velo-News, Inside Triathlon, Triathlon Today, Triathlete, Bicycling, Bicycle Guide, USA Cycling, USA Triathlon and many others.

 

 

Advertisements

By Tom Demerly for tomdemerly.com.

I was once so poor, I didn’t have a coffee cup.

It didn’t matter much since I had neither coffee or a coffee maker. I had boxes of things I owned when I was rich, before I lost everything. But I wasn’t going to stay in one place long enough to unpack them, so what was left stayed in the boxes. I never unpacked. Nothing was permanent.

No coffee cup though.

My parents told stories of the depression when they were kids. The stories didn’t seem possible to me. When I didn’t have a coffee cup it occurred to me, “Well damn. Here is our depression. Exactly like my mom described.” Now you’re reading my story of not having a coffee cup.

Eventually things began to improve. I was good at what I did, a writer. Got a good job writing at a company in California. Money came in. California is expensive so you need to earn a lot of money to be even reasonably comfortable. You still won’t have any money left over, so you better keep your job or find a new one outside California. If you want to make any money, don’t move to California.

Moved from California to Michigan. Brought my two cats in a cat carrier on the plane. I had written a letter to the airline well in advance telling them my cats were the most valuable thing in the world to me. They met me at the airport and took extra care of me and my two cats on the flight from California back to Michigan. I was thankful for that. Nothing was more important. I figured if I couldn’t even care for two cats, I was pretty worthless. But in this case, with the help of the airlines, I managed fairly well. Thank God, and I’m not even religious. The airline was Southwest airlines. If you can, when you fly, fly on Southwest Airlines. They actually care about people. And cats. That’s rare these days.

Still no coffee cup though.

When I got back to Michigan I took back an old job that I liked but didn’t earn much money. I was going to help open a new business soon. There was, at least, the promise of improvement if not tangible improvement itself. Sometimes you can do pretty good on just the promise of things getting better. It’s better than knowing things are going to get worse. I’ve gotten good at sensing when that is going to happen. It’s a bad feeling and you better trust it.

My friends Paul and Sue, whom I’ve known forever, visited me right away when I moved back. They knew me before the recession, before I lost everything. I was actually well-off then. Owned a house, car, business. Those things can disappear in an instant, so fast you can’t believe it. You think you are secure. Trust me, you aren’t. A million dollars means nothing.

I know that when Paul and Sue and their sons saw how things were for me then they were… well, I don’t know what they were. They never said. Sue drove me to the store. When it became apparent I had no money for food, her and her two sons brought food to my house. I always made sure my cats had food. They came first.

Things kept getting better. Made a little money. Lived in a house with a big yard, grass (we didn’t have that in California) and plenty of windows. The first warm day I went outside and just laid down in the grass. It was the first time I felt safe in a long time. My cats watched me through the window. That was a good feeling. I still remember that moment, lying there in the grass.

Eventually things got much better. That’s America. You can have everything, lose everything, and get everything back again.

On one trip to the store I bought a coffee maker, $22, a huge can of coffee (don’t remember how much) and a coffee cup. It’s still my favorite cup. I worry about breaking it. It would be a bad omen.

So with this new coffee cup, I am pretty careful.

By Tom Demerly for tomdemerly.com

Two bicycle specialty stores closed in Metro Detroit this year. Three more suddenly changed “ownership” in November on their way to eventual closure.

On the national scale, Advanced Sport Enterprises, parent company to Performance Bicycle and Bike Nashbar, filed Chapter 11 bankruptcy last month.

After decades of failure to adapt, Southeastern Michigan bicycle retail is in a brutal phase of enforced transition. Despite an overall economic boom many bike shops are a bust. Southeastern Michigan bike store closures and hasty ownership spin-offs that precede further closings confirm that.

The questions are; how did this happen; how can it be avoided and what will the industry look like once the rules of business exact their toll?

Like most significant shifts in business there is no singular cause.  A conspiracy of factors combines to weigh heavily on traditional bicycle retail. The reality that the industry has ignored these factors for so long manifests itself in this crisis.

Not every bicycle retailer is in crisis though, and some old-skool bike shops not only survive but are capitalizing on the increasing failures of retailers who thought they knew it all but had neither solid financials or enough vision to adapt in the changing retail landscape.

Southeastern Michigan bike shops like Jack’s Bicycle and Fitness, Roll Models in Allen Park, Michigan, Brick Wheels in Traverse City and Wheels in Motion in Ann Arbor are still there, still doing business and quietly surviving and growing as the others collapse around them.

In the renaissance of downtown Detroit, a new generation of bike family businesses has emerged on the shoulders of men like Jon Hughes of Downtown Ferndale and Downtown Detroit bike shops. Hughes also leads the family effort to grow the Lexus Velodrome and launch a new demi-empire in media and cycling in post-recession Detroit. He comes from a dynasty of bicycle business that stretches back three generations to Mike Walden and the formation of the country’s second oldest cycling club, the Wolverines. Even Bob Akers, who runs the decades-old, dingy, crumbling International Bike Shop in Garden City has survived as the shiny newcomers who thought they knew it all have tumbled.

Why do some shops survive while others fail? One factor common in the surviving Michigan bike retailers is they own their own real estate. But the ingredients for success, not just survival, are more complex than just owning your building.

Harvard MBAs don’t start bike shops. Bike shop owners don’t have business degrees. They start bike shops because they love bikes or have no other opportunity. They’re hobbyists. Not businessmen. The barriers to entry are low. Got $100K? You can open a bike shop. You’ll never tell a bike shop owner he doesn’t know business. As far as bicycle retail store owners are concerned, they are experts at retail. The crash of Michigan high-end specialty retailers proves otherwise.

I was this guy.  I lost my own store after 17 successful years during the recession. Then, like a scene from a movie where the plot repeats again and again, I went to work for two other retailers around the U.S. who, like me, thought they knew everything and couldn’t be told anything. They’re gone now too. More will follow.

Failure is only failure if you fail to learn. But in bicycle retail, no one listens. The first bike shop I worked for when I was 15 years old went out of business because the owners failed to adapt. The last bike shop I worked for four decades later did exactly the same thing. The owners refused to adapt. In a repetitive pantomime, I tried to convince the owners of the last shop I worked at to move the cash register to facilitate better customer traffic flow. It was a minor change that may have resulted in a minor improvement. I tried for a year. They never moved it. They went out of business months after I finally quit in frustration and left to work in another industry.

I take some small satisfaction in knowing the store that lasted the longest was mine. But business is pass/fail. You can run a successful business for 6,205 days like I did, but if you fail on the 6,206th day, you are a failure.

The first lesson I learned in losing my own store is you have to own your failure. Mine was my fault. While there were factors including a global recession that contributed to my 17-year-old store failing, I could have moderated them. Others did. I wasn’t smart enough or humble enough at the time. Some people pay college tuition for an education. I paid in bankruptcies and a modern day “Grapes of Wrath” by losing everything. While the second way may be a more durable education, it’s also more painful.

I went on to work for two more bike retail owners who made exactly the same mistakes I did while ignoring the changes that could have saved them. But bike shop owners don’t listen.

The specifics on what is killing some of Michigan’s bicycle retailers is a fascinating case study in the evolution of business that could fill a book. Bike shop owners and bike shops are, in many ways, indicative of the American economic condition. They are the epitome of small business America. As the small, independent bike goes, so goes all of small retail- good and bad. Small restaurants, pet stores, book retail, independent jewelers and all small retail can learn something from the enforced evolution and bizarre non-evolution of bicycle retail.

Small bicycle retail has been quick to scapegoat the big, ugly mega-retailer and the .com as the reason for their bust. That is a lie. In the broad sense, bicycle retailers are killing themselves by failing to adapt and innovate. They do it in hundreds of small ways every day they continue to do the same tired things over and over and over. Even the bicycle retailers who have survived could do better. For most of the survivors a major reason they still exist is they own their own real estate and remain impervious to swings in the volatile southeastern Michigan economy. But even their future is increasingly in doubt as forward-thinking innovators understand new opportunities in the age of Amazon One-Click.

What will happen to Michigan small bicycle retail? One thing is certain: it will continue to change at a rate that outpaces the ability of most shop owners to adapt. That means we’ll see more southeastern Michigan bike shops closing. Unless they learn from someone’s mistakes the cycle of failure in Michigan cycling retail will continue.

 


 

Tom Demerly is a 42-year bicycle industry veteran who owned his own business for 17 years. Today he is a defense and aviation analyst for several international publications including TheAviationist.com published in Rome, Italy.

 

 

 

 

 

 

By Tom Demerly for tomdemerly.com

He earned a Ph.D. in aerospace engineering, did triathlons in his spare time and flew the F-35 Joint Strike Fighter along with nearly every other fighter aircraft in U.S. inventory. And he died in an accident in September 2017 so secret its circumstances remain classified to this day. His name is Lt. Col. Eric “Doc” Schultz.

Capt Eric “DOC” Schultz, F-35 ITF Edwards AFB; Ca.; 15 September 2011

She leads an entire Air Force Wing of advanced F-35A Lightning II squadrons. She holds a Master’s degree and has flown the most secretive special operations combat aircraft in U.S. inventory. Her name is Col. Regina Sabric.

He got so bored on shipboard deployment he first started playing PlayStation, then lifting weights, then training for a triathlon onboard a Navy assault ship and finally earning a college degree online during his off time. He is a young Marine Corporal I met in San Diego, California.

She was terrifying. Ultimate lord of everything within her domain, she was a Sergeant who oversaw supply at a U.S. Army basic training facility at Ft. Benning, Georgia. I don’t remember her name, but I was terrified of her when I went through basic training and advanced individual training.

He shared a foxhole with me in the rain at Ft. Benning Georgia while we tried to figure out how to tune a tactical radio into a news station during the middle of the night at Advanced Individual Training (AIT). He went on to participate in the invasion of Panama, Operation Just Cause, and many other active duty operations with the Army’s elite 82nd Airborne Division. His name is Mo Fregia.

Mo Fregia and I practice clearing landmines at Ft. Benning, Georgia.

She does yoga in her off hours, has traveled the world in the U.S. Air Force and on the day I met her she was in charge of getting me and my equipment on board an Air Force tanker so we could rendezvous with F-15C Eagles and F-35A Lightning IIs over the Atlantic for midair refueling. Her name is Lt. Col. Kim Lalley.

He is a member of an elite Naval Special Warfare team who took time out from his day to sit on a log in the obstacle course in Coronado, California for an interview about how to overcome any obstacle and never give up. He should know. After three tries he graduated top of his class, “Honor Man”, of his Basic Underwater Demolition School (BUDS). His name is SEAL Operator First Class David Goggins.

He is a retired Commanding Officer who took the time out to meet with me in person years after he was my commander in an Army National Guard Long Range Surveillance Unit. When he was my C.O. he was a Captain. He later retired as Colonel. I may have learned more from his leadership than almost any other man in my life. His name is Robert “Bob” Wangen.

Standing on the right, with the bona-fide special-operations mustache, is one of the finest soldiers I have ever known, SSgt. Chris Surmacz. He was my team leader.

He is a combat veteran F-16 pilot, instructor and now commander of a Remotely Piloted Aircraft unit. In his spare time, whatever that is when you are an Air Force Colonel, he coaches triathlons and runs a triathlon retail store in Tucson, Arizona. His name is Col. Brian Grasky.

Every year the list of remarkable people I meet working with the U.S. military grows longer. Every year I am more impressed with their competence, devotion, tireless work ethic and patriotism. In the civilian sector people go weeks and months without ever thinking about the small percentage of our population who serves in the U.S. military. Only about 1.3% of our country’s population is serving or has served in the military. Current active duty military accounts for only 0.4% of the U.S. population. Think about that. Less than half a percent of our population shoulders the burden for the safety and security of the remaining 99.5%. That is a lot of weight to rest on very few shoulders. But I can assure you those are strong and capable shoulders. We remain free and secure in the precious bubble of liberty maintained by that 0.4%. Today we celebrate their selfless devotion and the often-grinding drudgery of their difficult jobs done 365 days a year, around the clock all over the globe almost entirely without thanks.

We don’t need you to thank us for our service, although that’s nice of you, or buy a special T-shirt or put a bumper sticker on your car saying you support the troops. That’s kind of you, but we don’t need all that. We do like it when you fly our flag, bright and backlit by a brilliant sun shining down on the land we love. We want you to take that flag down at night when it gets dark or shine a light on it around the clock. And we’d prefer if you never let it touch the ground because one day, the day after our last day, we’ll lie under the flag when you commit us to memory and hopefully another veteran takes our place.

 

 

 

 

By Tom Demerly for tomdemerly.com

“It’s like we’re in the French resistance and the tanks are 20 miles outside the city!”

Activist filmmaker Michael Moore debuted his new editorial shock-documentary “Fahrenheit 11/9” this past Tuesday in his hometown of Flint, Michigan.

Moore, the skilled documentary maker and Academy Award winner, has wielded the new medium of small budget, current affairs film to emerge as a significant voice in American and international media.

To understand Michael Moore, and his latest release, “Fahrenheit 11/9”, it’s important to understand the evolution of news and editorial media in the last four decades. Since CNN went live and around the clock with news and commentary nearly 40 years ago, and the internet gave every person a voice of equal dimensions on your screen, media has been hurtled into a warp speed evolution. Media- and we- were never prepared for that.

The technology that gave every person a voice of equal physical dimensions has created a global shouting match that changes the way we (try to) form opinions and collect information. It is like trying to hear a rational conversation in an ever-increasing dissonance of rising screams. Today, in order to deliver any message effectively in modern media, you have shout. Really loud.

Michael Moore shouts in Fahrenheit 11/9, and he does so with the same, if not more, volume and punch than his previous films. But in the rising din of activist hyperbole, everyone else has gotten louder while Moore’s volume has stayed about the same. It isn’t that Moore’s “Fahrenheit 11/9” is worse or better than his previous documentaries. It is actually about the same. But everyone is used to hearing this type of message now, so it loses its punch. In so many ways, that is a tragedy.

Moore is a polarized ranter attempting to balance the left side of American perspective on an ever-shrinking center fulcrum as his political reciprocal on the right has the podium in the White House. Michael Moore is the left-wing Donald Trump; extreme, unaccountable, ranting, not always factually accurate but great at whipping up an audience at the extreme left end of the political spectrum using the modern tools of new media.

You may not like Michael Moore, but we need him as long as we have Donald Trump. One polarized, old-aged, overweight white guy with lots of money, media access and a big mouth cancels out the other. Hopefully.

“Fahrenheit 11/9” is not one documentary, it is several story lines combined, each deserving of its own documentary series if we all had more than a Twitter post attention span. Moore knows this, so he hurls as much at us as he can in 120 minutes and hopes some of it sticks to the wall of American conscience. He does a fairly sloppy job of trying to stitch them all together. It doesn’t really work, but each storyline is interesting enough by itself that you stick with the film even through a few well-earned eye rolls.

Michael Moore’s attempts to defame former President Barack Obama and implicate him in the Flint water crisis and convince us that the U.S. Army invaded Flint, Michigan in a preemptive attempt to quell unrest from the water crisis are particular low points in “Fahrenheit 11/9”. He even sloppily conjures the time-honored superweapon of the Internet troll, the Hitler comparison. But don’t walk out. There are high points in “Fahrenheit 11/9”.

Moore showcases a rising tide of citizen activism through the political system and features several grass roots candidates and their ascendency into the almost-mainstream. He focuses on the plight of teachers and nearly manages to point out that if there is one thing responsible for the mounting problems in our country, it is our reprehensible devaluation of education. In these scenes, “Fahrenheit 11/9” captures the best of America at its worst.

Moore carries the topics of new political candidacy and our jaundiced school system well in “Fahrenheit 11/9”. But these valid storylines are weighed down by his constant adolescent pecking at the President. We already know the President likes young women, is poorly spoken and loose-lipped and largely unapologetic for reinforcing every ugly white male stereotype and even adding a few. That isn’t news. Americans are apparently pleased enough with the stock market, job numbers, real estate values and finally calming down the little guy in North Korea that they are willing to forgive the President his indiscretions while we shave off a few human rights, set gender equality back five decades and trash the environment at dizzying speed.

It was interesting to see the U.S. premiere of “Fahrenheit 11/9” in Flint, Michigan. This is the frontline of the rising environmental comeuppance that America is facing as we pollute ourselves to new, imagined “prosperity”. Michael Moore is a messiah in Flint, and his minions were out, not quite in force, but a couple hundred showed up hoping for an audience with him and a shoulder to cry on about their ordeal with the jagged edge of “Capitalism Gone Wild!”. Moore didn’t really provide that. He’s no Martin Luther King, Gandhi, Mother Teresa, Nelson Mandela or Malala Yousafzai. He can show us the problems, but he offers few solutions. As a result, this film feels like wallowing. Instead of leaving with a feeling of inspiration or empowerment, you simply slump in your seat when the credits roll and realize, “we’re in deep trouble”.

One woman directly affected by the poisoned Flint water stood up in the Q&A with Moore and listed her litany of symptoms to him. Moore slumped in his seat on the stage, in apparent fatigue from the entire affair. The scene emphasized that while Moore has been effective at identifying the problems, he has proposed few viable solutions. And in the rising din of social media complainers, Moore’s relevance sags among the rising din of complainers, no matter how relevant and valid the complaints are.

The final punchline in “Fahrenheit 11/9” is that, while audiences will expect, and get, a healthy dose of blaming “The Man” for keeping the little person down, Moore also reinforces that this is, ultimately, our own fault America. We either voted, or didn’t vote. We didn’t go to the school board meetings, we didn’t show up to vote for governor. We didn’t register new voters or run for local office. We let ourselves get gerrymandered and marginalized into subservience in a bizarre “chicken and egg” descent into apathy from working too much to survive and acting too late to prevent it from happening. Now the mess is even bigger.  If one good thing comes out of Michael Moore’s films, and particularly his new “Fahrenheit 11/9”, hopefully it is that we show up to the polls, go to a parent/teacher meeting and re-shoulder the burden of citizenship in America.


 

Tom Demerly is a writer from Dearborn, Michigan who has traveled around the world, sometimes by his own choice. His analysis, features and editorials have been featured in Business Insider, Outside, Daily Mail and many others.

 

 

 

 

 

 

 

Photo by Dustin Davis, story by Tom Demerly of tomdemerly.com.

It is an image of fierce defiance frozen in a terrifying moment. A powerful vision of what many people see as the American condition. As I type this, over 15,000 people have shared it from my Facebook page across social media that I can track. As of Monday night, another person shares it every 15 seconds. While I despise the colloquialism “going viral”, there is no doubt something about this image has resonated again and again with the current collective American consciousness.

It is the Taylor Creek Fire “Don’t Tread On Me” photo.

Dustin Davis, 32, of College Place, Washington, shot the photo of a rattlesnake frozen in its fiery death throes on Wednesday, August 8th, 2018 at 12:55 PM local time during the early stages of the Taylor Creek fire in Oregon. Davis was fighting the fire as a member of the 3rd Battalion, 116th Cavalry Regiment of the Oregon National Guard.

Davis told me Monday night in an interview on Facebook Messenger that, “On a mop-up mission my buddy Miles and I stumbled upon that little guy. I knelt down and took the picture with my iPhone. I was very intrigued by the way it had died and was really moved by it.”

 

 “On a mop-up mission my buddy Miles and I stumbled upon that little guy. I knelt down and took the picture with my iPhone. I was very intrigued by the way it had died and really moved by it.”

 

I saw the photo on Dustin’s Instagram page at dndavis0ne and copied it to my Facebook page. I added the observation that Dustin Davis’ remarkable photo of the charred snake looked like the snake depicted on the famous Gadsden Flag with the moniker, “Don’t Tread On Me”. For that reason, the image seemed iconic and metaphoric of our country that feels increasingly divided, increasingly fractured, and trapped in some kind of modern “trial by fire”. Judging by how the image has resonated across social media, I wasn’t the only one who recognized the symbolism of Dustin Davis’ now famous photo and the Gadsden Flag.

Firefighter and photographer Dustin Davis.

Almost as soon as I shared it to my Facebook page, initially without Dustin Davis’ permission, the image started to go viral. When it started to trend, I tried to find the original source I copied it from when Dustin Davis contacted me on Facebook. Given that I had initially taken his photo from Instagram with a screen capture and without asking, Davis was incredibly gracious about letting me continue to use it after I replied to him. He even agreed to this interview late Monday.

The massive Taylor Creek fire, burning now since early August, was started by lightning according to the official information from the U.S. Forest Service in the region. It has burned over 52,000 acres and, as of Monday, August 20, is nearly “79 percent contained” according to the Forest Service. A nearby fire, also started by lightning, the Klondike Fire, covers a staggering 72,074 acres (113 square miles of area) and is now only 28 percent contained. The wildfires burning in the American west now are reported to be the worst in history, a reality that has raised an increasingly divisive debate about everything from forestry and water management to global climate change as the fires continue to burn out west.

By Tom Demerly for tomdemerly.com

Be careful with Stefano Sollima and Taylor Sheridan’s latest blockbuster, “Sicario: Day of the Soldato”.

It’s sinister, seductive relevance carries a sobering slap-in-the-face wake-up call or toxic political venom. It’s your choice. But either way you lean with the theme, the relevance and mastery of this knock-out sequel make it a rare case of a follow-on achieving everything its predecessor did, and maybe even more.

Chalk it up to timing and headlines, but “Sicario, Day of the Soldato” is laser-guided relevant with weighty themes of Mexican immigration and political subversion. The real-world significance cause the movie to do something few films do now: you actually care about the story.

“Sicario: Day of the Soldato” follows the original 2015 “Sicario” with much of the same cast. Gone are character Kate Mercer (Emily Blunt) and Icelandic composer and Oscar winner Jóhann Jóhannsson.

Director Stefano Sollima.

New to “Soldato” are Isabela Reyes (16-year old actress Isabela Moner) and the ominous, throbbing soundtrack strains of Hildur Guðnadóttir (say “GWON-A-doh-ter). Also from Iceland, Guðnadóttir was previously a classical cellist who is relatively new to bigtime soundtracks. This is her break-out moment. The two opening notes from her main theme to the movie are resonant and foreboding. It’s the “Jaws” theme for the Mexican border.

Character Isabela Reyes, a youthful character forced into the story, replaces the role of Kate Mercer from the previous film. In the original “Sicario”, Kate Mercer was symbolic of all of America struggling to understand the drug cartels, immigration issues and complex injustices surrounding the U.S./Mexico border. In “Soldato”, the juvenile Isabella Reyes performs a similar function but from a different perspective. She never had youthful innocence, is resigned to a violent life and is calloused and durable. While Kate Mercer represented the U.S. relationship to the border issues, Isabella Reyes serves as a character metaphor for all of Mexico trying to understand the border crisis, and also falling victim to it.

Young actress Isabela Moner’s masterful portrayal of character Isabela Reyes is the dramatic delivery tool to “Soldato”.

There is a complex lineage to the plot of “Sicario: Day of the Soldato”. The genetics of the story can be traced back directly to master story mechanic Tom Clancy. Clancy’s 2011 book Against All Enemies followed the path of Middle Eastern terrorism to central America and up to the United States across the Mexican border. That theme was also woven into the 2012 film “Act of Valor”. While this theme could have been structural to “Soldato”, it is, in reality, the only accessory to the main plot. The idea of terrorism entering the U.S. through illegal Mexican immigration is presented, and then seemingly abandoned in the film. If “Soldato” has a singular shortcoming, that is it. But this relevant footnote interlocks on the plot fairly smoothly.

An integral part of both “Sicario” and “Sicario: Day of the Soldato” are their remarkable thematic economy. There is no fluff. It’s all meat. As a result of this tight plot and orderly story you can never look away. Every scene matters, every detail engages. While the writing and organization of the theme facilitate this thematic economy, what delivers it is flawless visual production.

The visual experience of “Soldato” is beautifully textured with a subtle hint of well-done graphic novels. Composition of shots provides a true feel for the barren Sonora desert and the southern border region. It conveys something many people in the United States don’t get about the Mexican border issue: this is a different world from the rest of the United States. This writer lived near the Mexico-United States border for nearly three years, crossed the badlands between Arizona and Mexico numerous times and has stood across the wall from Juarez, Mexico. I’ve also lived in the Middle East and travel across North Africa. The border region has more in common with the Middle East and North Africa than it does with anywhere else in the U.S. As a result, most Americans have a tough time putting the border crisis into perspective. “Soldato” provides a visual insight that dramatizes the reality of the Mexico/U.S. border.

There is another brutally relevant gut-punch in “Soldato”. One that is as accurate as it is politically inflammatory. “Sicario: Day of the Soldato” acknowledges the weaponization of illegal immigrants. Whether they are Libyan and Syrian immigrants attempting to cross the Mediterranean to Malta or Greece, or Mexican immigrants trying to gain entry to the U.S., the exodus of distressed populations has been subversively used by nations to impose discord and hardship on neighboring countries. As the relationship between the U.S. and Mexico has degraded over the border debate, the flow of illegal immigrants into the U.S. has, by nearly all accounts, accelerated to a point where the question of what to do with the increasing number of people who cross into the U.S. has become deeply divisive. “Soldato” pulls no punches in editorializing that illegal immigration is being used as a tool by drug cartels and a corrupt government to destabilize the U.S. After the last two weeks of illegal immigration headlines in the U.S. and a couple hours in the theater with “Soldato” this light bulb goes on over your head pretty brightly.

Given all the relevance, economy, visual luxury and masterful execution of “Sicario: Day of the Soldato”, this film gets a spot on the very top shelf of the best dramatic thrillers as sharp as a paper cut from today’s headlines. “Soldato” is a rare sequel masterwork, durable and abundant with visual and thematic relevance.


 

Tom Demerly writes for TheAviationist.com and appears in Business Insider. His articles and editorials are read by millions around the world.

 

 

 

 

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave