By Tom Demerly.
If you were waiting for the release of Clint Eastwood’s American Sniper you have probably seen it by now. If you haven’t, and have no interest in movies of this genre, then you need to see it.
American Sniper is three distinct things: Firstly and most profoundly, it is an unflinching commentary on the American experience in the Global War On Terror. Secondly, it is a brilliantly crafted film in every way that uses contrast and plot to slam home a message of ongoing relevance. And lastly, it is a call to action to adapt our doctrine in the never-ending conflict with barbarism and cruelty.
Modern American Heroes are Tragic Figures.
American culture has a habit of moderating the horrors of war by deifying the sacrifice of those lost to it. We build heroes. And then we aspire to be heroes. This has a dreadful self-perpetuating tendency to use war as our primary tool in the darkest corners of international conflict. American Sniper challenges that national notion.
Our heroes are often tragic figures, wracked with conflict and fear, who meet sad and untimely endings. The main figure in American Sniper, Naval Special Warfare Operator Chris Kyle, is just such a character. His valor, patriotism and loyalty were unswerving. This film celebrates that. But he mounted a quest to slay an un-slayable dragon, and was tragically consumed by it. This film mourns that.
This is a notice to American culture in a new age: maintain our current doctrine and continue to produce tragic heroes like Chris Kyle, or advance our thinking in conflict resolution and find a less costly method that produces more tangible results.
Perhaps the greatest testimony to the tragic theme of American Sniper is that U.S. troops still deployed in Iraq and Afghanistan will see this movie there instead of being at home. And the region is still locked in conflict.
Flawless and Authentic Filmmaking.
American Sniper is marble-hard filmmaking perfection. Director Clint Eastwood employs every trick of drama, suspense, tragedy and action with expertise. Casting is also superb down to the minor characters. There is not a single weak spot or feature to American Sniper. The film is so effective and hard-hitting that when it ends the theatre is left in stunned and exhausted silence. If you calibrate this film against the standards of Saving Private Ryan, Blackhawk Down or any other conflict film it exceeds them all. This is the new standard in conflict commentary film.
A National Call to Action in an Unresolved War.
Finally, American Sniper holds a vivid mirror up to our military doctrine in the ongoing Global War on Terror. The inescapable verdict is that, while we have succeeded in thwarting any major terrorist actions on U.S. soil, we have fallen short of providing functional reform and security to much of the region where the GWOT is waged. The significance of both of these points is more relevant now than ever, after two weeks of new terror attacks in France and months of escalated terrorist activity by ISIL in Syria, Iraq and Afghanistan. We’ve kept the (Middle Eastern) terrorists off U.S. soil since 9/11, but we are far from anything resembling a “victory”.
American Sniper is made with sensitivity and care, expertise and authenticity. It is also a relevant movie for the times. Eastwood’s film rises to the very top of the GWOT film genre’ and challenges all of our thinking about the past and the direction of our future role in this seemingly never-ending conflict.